Source The photograph that has become known as "Migrant Mother" is one of a series of photographs that Dorothea Lange made in February or March of in Nipomo, California. Lange was concluding a month's trip photographing migratory farm labor around the state for what was then the Resettlement Administration.
In short, finale is good, but I have some serious issues with the season as a whole that keep my from joining the hype train. However, I can offer you the following: The series presents two women, in particular, who find themselves intertwined with this fast-moving world dominated by male figures: Peggy, a young secretary turned copy writer who struggles with her weight, and Betty, the wife of the Head of Creative who is defined by her domestic role.
Specifically, the daily activities of the Sterling Cooper agency are particularly worrisome: This environment provides a fertile ground for an investigation of the role language plays in reaffirming or challenging the patriarchal order.
Mad Men is not a feminist television series, as its dedication to realism keeps either of these characters from emerging in defiance of all their unfair treatment. However, Mad men essay attention to realism allows the series to demonstrate the level to which patriarchal discourse was dominant in life and language during this period, historicizing this period of feminine experience.
Who Made the World? The problem, of course, is that these structures have been created by the dominant group, which Spender identifies as a male one. The true potential of language is difficult to achieve; language presents a fertile ground for women to reassert themselves within its creative forms but its existing patriarchal structures will prove a challenge to true subversion.
This is the challenge facing those who desire to change the discourse of language. While the audience for this language is society as a whole, its creation is a process of male writers drafting campaigns for male corporate executives. It is not a coincidence that he shakes the hand of the male representative, although it turns out that it is a woman, Rachel Menken, who is in control of the account.
This is the language Mad men essay at work: The problem is not the tone of her language, but rather that she is attempting to use and co-opt a language created and controlled by men.
On the surface, this presents an extremely important opportunity: For Spender, this is chance to make headway into the problem of patriarchal language: While Peggy does not have a feminist aspiration per se, Mad Men emphasizes the unfortunate futility that women faced during the period; Peggy is in a position to draft language, but she is not in a position to fundamentally change the industry for which it is written.
However, any tampering Peggy does is simply edited out when it becomes finalized; there is little subversive about simply delaying the inevitable. Her subsequent rise to the position of junior copywriter, the first woman writer hired by Sterling Cooper since the war, is a personal triumph but does not transcend to a powerful feminist statement.
However, in emphasizing this rise against the system, Mad Men does portray the efforts of women, and draws attention to her plight in a sympathetic light.
Peggy becomes a writer, but she does so within the terms of a male-dominated industry that is built on a foundation of patriarchal language.
Inevitably, this is the journey which Peggy has taken, and Moi would argue that this limits her ability to attempt a subversive discourse. However, at the same time, she would never have been able to make any difference if she had not been willing to write what the industry expected; considering that the show is staunchly realistic in its portrayal of this time period, her rise to the position of junior copywriter represents an amazing amount of career mobility for a woman at the time.
Matthew Weiner and the writers of Mad Men cannot be faulted for presenting a character who is human, and who places her career aspirations over her gender; this was a common scenario during this era, and is a proper reflection of the historical period.
Mad Men may be primarily focused on the inner-workings of an advertising agency, but it also focuses on how language of this nature is echoed within other discourses on a more domestic level. Further identifying the level to which Peggy has had to conform in order to rise, however, Draper offers the following piece of advice: They manipulate language on all of the products they sell, but in this case it seems particularly delicate: Phallocentrism, Irigaray argues, forces women to relate their pleasure to men, and any attempt to do otherwise would be suppressed by male desires.
The message Mad Men sends to its audience regarding this relationship is that Betty is not complete under the control of patriarchal structures, but often chooses to be.
For the most part, Betty represents the perfect demonstration of the level to which material phallocentric relationships define female existence.
Immediately, this seems to liberate a part of Betty that has remained dormant, as she digs into her closet to rediscover the outfits gifted to her by a designer during her time as a model. However, the episode does not liberate her from male power structures but rather shuffles her between them.
Her nostalgic return to her modeling days is still a return to an industry rife with male power, specifically in her role as a muse. Her current position as a model does allow her some economic freedom from her domestic life, but her hiring is dependent on her husband joining with this rival company; when he decides against it, she is promptly fired.
At the end of the episode, Betty sits at home with her children and decides to retake control of the domestic sphere: And, in the end, this is a realistic portrayal of a housewife during this period: In many ways, Betty is treating life like a modeling job, putting on a certain image and accepting certain directions; this is a human approach that creates significant depth in the series.
This is a woman who is willing to play the role ninety percent of the time, but on occasion will go outside with a B. Obviously, however, this realistic portrayal is not as positive as some would like it to be. It cannot live up to the desire for strong and impressive female characters, because the America of would not have been able to live up to that expectation.The movie version of one of those little clown cars that a hundred clowns get in and out of, it descends into pure over-the-top silliness with so many talents vying for the glory-hogging center.
Mad Men, Season 7: "Waterloo" she can give herself an identity that isn’t dependent on men — note that she chose the dress she liked over the grey, manly suit; Tony Soprano can save his.
A standout is "Analyzing Mad Men: Critical Essays on the Television Series". The book is comprised of twelve essays involving the context, politics, women, and nostalgia of Mad Men.
The series is the brainchild of Matthew Weiner and I learned it is based entirely on monitoring the effect of change.5/5(1). Shooting An Elephant.
An essay by George Orwell, first published in the literary magazine New Writing in In Moulmein, in Lower Burma, I was hated by large numbers of people – the only time in my life that I have been important enough for this to happen to me.
Mad Men: Influencing Minorities of the ’s Essay Words | 4 Pages “Mad Men” is a television show about life in the ’s. The show’s setting is in the work place taking place during the ’s. Well, maybe that romp in the subtitle is an exaggeration. In fact, this is a pretty quiet book, although its author is clearly an enthusiastic fan of the hit TV series Mad Men (she operates a Web site with the same name as the book), and the book is sure to appeal the show’s many devotees.